Come una mareggiata che schianta sulla riva mementi recuperati da quel grande archivio di oggetti e ricordi che è il fondo del mare, anche la blogosfera ogni tanto riporta a galla curiosità e chicche dal passato. È il caso di due aneddoti Legion-related (ri)apparsi in rete negli ultimi giorni e che vado immediatamente a segnalare anche in questa pirotecnica sede.

Nella sua rubrica Comic Book Legends Revealed, Brian Cronin ha ripercorso i lunghi e faticosi tentativi da parte di Mike Grell, storico artista della Legione nei primi anni ‘70, di inserire un personaggio di colore all’interno del franchise futuribile DC Comics.
L’episodio, ben riassunto in un articolo colmo di illustrazioni, è di un’amara ironia per noi lettori di oggi, che col senno di poi possiamo pensarci sopra dall’interno di una società sempre più multirazziale:

Un'immagine del legionario Tyroc

When Mike Grell became the new regular artist of the Legion of Superheroes (which appeared in Superboy and the Legion of Superheroes) in 1974, there was something that he noticed that troubled him a bit.
In the future world of the Legion of Superheroes, there did not seem to be any black people.
So a few issues into his run as the artist on the book, Grell took a new Science Police character that Cary Bates was introducing in Superboy and the Legion of Superheroes #207 (who appeared to be a one-off character), and drew him as a black man.
However, editor Murray Boltinoff told Grell that they were already planning on having a black character show up in a few months, so Boltinoff then had the character Grell intended to be black just colored white, instead.

Grell continued to pester Boltinoff over the next few months, “So, when are we going to get this black character you said we would?” until finally, Grell got his wish….and probably wished he didn’t.
Superboy and the Legion of Superheroes #216, from late 1974, tried to explain why there didn’t seem to be any black characters in the world of the Legion of Superheroes.
You see, they all lived on an island that, like Brigadoon, would disappear from this dimension for years at a time. And Tyroc was their resident superhero.

Grell, naturally, did not take kindly to the idea that the first black superhero in the Legion (heck, Tyroc predated Black Lightning, even!) was a separationist! As a result, he tried to make Tyroc look as goofy as he could.
Later writers tried to redeem the Tyroc character a little bit (Keith Giffen even made him President of New Earth in the Five Years Later Legion!).

Strano come un fumetto come quello della Legione, uno dei cui punti forti è proprio la serena integrazione tra le diverse culture dei protagonisti, sia giunto così tardi e così goffamente a toccare il tema della discriminazione razziale. Grazie al cielo, la storiografia della serie vedrà momenti molto più riusciti sotto questo fronte, fino al culmine dalle recenti storie realizzate da Geoff Johns e Gary Frank sulle pagine di “Action Comics”.

Il sempre puntuale Legion Omnicom riporta, infine, una serie di messaggi rilasciati su Twitter da parte di Gerry Conway, nome storico del comicdom statunitense e autore di numerose avventure di Cosmic Boy e soci, in un lungo ciclo di storie che vide la luce più o meno ininterrottamente da “Superboy and the Legion of Super-Heroes” #248 (1979) fino al numero #276 (1981).
In breve, lo sceneggiatore newyorkese ha confessato alla rete una estrema sensibilità alle critiche, spesso esagerate, esposte al suo lavoro da parte dei navigatori del web. La produzione di Conway è in effetti molto altalenante, come egli stesso confessa riferendosi anche alla sua infelice parentesi legionaria.
A sottolineare l’assurdità del rampante social network, che permette di pubblicare solo messaggi non più lunghi di un sms, Conway ha dovuto frammentare in numerose “puntate” il testo delle sue considerazioni. Per favorirne la leggibilità, io ho ricomposto il tutto in un flusso compatto:

I need to remember: don’t read reviews or comments on stuff I write. No matter how many positive comments, all I see are the negative ones. I mean, great baseball hitters miss two out of three times at bat, and that’s considered a great average. Writers and artists, though… We’re expected to bat a thousand every time. And when we don’t, we get slammed as “hit or miss.” Well, duh.
My problem is I wrote too much when I was writing comics. Twice as much as most other writers, on average. Five, six titles a month.
I like to think most of it was pretty good. I think I wrote as many good stories as the best writers working at the time. Unfortunately, I also wrote a lot I wasn’t happy with. Didn’t hit a home run every time at bat. Sometimes just a base hit. Sometimes a strikeout.
But some readers only see the strike-outs. A 100+ issues of JLA, and all they remember are the Detroit stories. Sheesh. A solid run on Batman and Superman, and all they wanna talk about is how I sucked writing Legion. But you know what’s sick? I listen to them! Five great reviews, a dozen compliments from happy fans, and all I hear is the snarky guy who calls me old school.
Yeah, I know, but this is why I shouldn’t read reviews or commentary. I ain’t got no perspective. Sheesh. Thanks, geek! I know I’m too hard on myself. But what people think really does matter to me. Sigh. You’d think, at my age… ;)
Thanks for the support, guys. Guess I just needed to blow off some steam. Fssttt.

Stai su, Gerry!